{"id":1654,"date":"2016-07-18T05:16:38","date_gmt":"2016-07-18T04:16:38","guid":{"rendered":"http:\/\/un-film-un-jour.com\/?p=1654"},"modified":"2016-07-22T06:15:39","modified_gmt":"2016-07-22T05:15:39","slug":"francofonia-le-louvre-sous-loccupation","status":"publish","type":"post","link":"https:\/\/un-film-un-jour.com\/index.php\/2016\/07\/18\/francofonia-le-louvre-sous-loccupation\/","title":{"rendered":"Francofonia, le Louvre sous l\u2019Occupation \u2605\u2606\u2606\u2606"},"content":{"rendered":"
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Le Louvre a command\u00e9 un film au r\u00e9alisateur russe Alexandre Sokourov (Moloch<\/em>, Faust<\/em>) qui avait d\u00e9j\u00e0 consacr\u00e9 un documentaire \u00e0 l’Ermitage, errance tourn\u00e9e en un seul plan s\u00e9quence de quatre-vingt-quinze minutes.\u00a0Pour filmer le grand mus\u00e9e parisien, il choisit un proc\u00e9d\u00e9 tout autre, une mise en sc\u00e8ne \u00e9clat\u00e9e ; mais, d\u00e8s le premier plan, il confesse ses doutes sur ce choix.<\/div>\n
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\u00ab\u00a0Je pense avoir rat\u00e9 mon film\u00a0\u00bb dit, via Skype, le r\u00e9alisateur au capitaine d’un bateau qui convoie des \u0153uvres d’art sur un oc\u00e9an d\u00e9cha\u00een\u00e9.\u00a0H\u00e9las, Sokourov est lucide.\u00a0Son film est rat\u00e9 qui accumule des histoires parall\u00e8les manquant de coh\u00e9rence.<\/div>\n
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Le fil rouge serait – comme le sous-titre de Francofonia<\/em> l’annonce – l’histoire du Louvre sous l’Occupation. H\u00e9las, le r\u00e9alisateur s’en \u00e9carte pour parsemer la narration d’allers-retours inutiles entre le pass\u00e9 et le pr\u00e9sent.\u00a0Il y aurait eu pourtant beaucoup \u00e0 dire sur le directeur du Louvre, jou\u00e9 avec une belle \u00e9l\u00e9gance par Louis-Do de Lencquesaing, grand commis de l\u2019\u00c9tat qui tente de sauver les \u0153uvres du Louvre sans y perdre son \u00e2me.<\/div>\n<\/figure>\n
<\/div>\n
La bande-annonce<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Le Louvre a command\u00e9 un film au r\u00e9alisateur russe Alexandre Sokourov (Moloch, Faust) qui avait d\u00e9j\u00e0 consacr\u00e9 un documentaire \u00e0 l’Ermitage, errance tourn\u00e9e en un seul plan s\u00e9quence de quatre-vingt-quinze minutes.\u00a0Pour filmer le grand mus\u00e9e parisien, il choisit un proc\u00e9d\u00e9 tout autre, une mise en sc\u00e8ne \u00e9clat\u00e9e ; mais, d\u00e8s le premier plan, il confesse […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1654","post","type-post","status-publish","format-standard","hentry","category-films-sortis-en-2015"],"_links":{"self":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/1654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/comments?post=1654"}],"version-history":[{"count":6,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/1654\/revisions"}],"predecessor-version":[{"id":2063,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/1654\/revisions\/2063"}],"wp:attachment":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/media?parent=1654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/categories?post=1654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/tags?post=1654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}