La bande-annonce<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Un orchestre symphonique constitue un fascinant objet d’\u00e9tude sociologique. \u00c9tonnamment, le cin\u00e9ma documentaire ne s’en est pas empar\u00e9. Si Frederick Wiseman a install\u00e9 sa cam\u00e9ra \u00e0 l’\u00e9cole de danse de l’Op\u00e9ra de Paris (2009), avant de l’installer au Crazy Horse, \u00e0 Berkeley ou \u00e0 la National Gallery , l’immense documentariste am\u00e9ricain – qui n’a jamais […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10],"tags":[],"class_list":["post-943","post","type-post","status-publish","format-standard","hentry","category-films-sortis-en-2016","category-films-sortis-en-mars-2016"],"_links":{"self":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/comments?post=943"}],"version-history":[{"count":7,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/943\/revisions"}],"predecessor-version":[{"id":972,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/posts\/943\/revisions\/972"}],"wp:attachment":[{"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/media?parent=943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/categories?post=943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/un-film-un-jour.com\/index.php\/wp-json\/wp\/v2\/tags?post=943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/fr.web.img6.acsta.net\/r_1280_720\/pictures\/16\/02\/04\/13\/02\/380217.jpg\")
Un orchestre symphonique constitue un fascinant objet d’\u00e9tude sociologique. \u00c9tonnamment, le cin\u00e9ma documentaire ne s’en est pas empar\u00e9. Si Frederick Wiseman a install\u00e9 sa cam\u00e9ra \u00e0 l’\u00e9cole de danse de l’Op\u00e9ra de Paris (2009), avant de l’installer au Crazy Horse, \u00e0 Berkeley ou \u00e0 la National Gallery , l’immense documentariste am\u00e9ricain – qui n’a jamais \u00e9t\u00e9 aussi productif qu’\u00e0 quatre-vingts ans pass\u00e9s – ne s’est jamais int\u00e9ress\u00e9 \u00e0 un orchestre.<\/p>\n